Unexpected Revelation in Oslo’s Royal Remnants
In a notable archaeological discovery, a small yet impactful artifact has illuminated aspects of medieval Norwegian aristocracy. Within the ruins of a fortified royal residence in Oslo, archaeologist Ann-Ingeborg Floa Grindhaug uncovered an intriguing three-inch-long figure, meticulously carved from bone or antler.
From Fishbone to Regal Relic
What initially seemed to be a sizable fishbone turned out to be something far more remarkable. Upon further examination, Grindhaug recognized the distinct characteristics of a crowned figure grasping a falcon—a captivating insight into the interests of 13th-century nobility.
Unraveling the Artifact’s Mysteries
A Miniature Marvel
The 7.5 cm long figurine, decorated on both sides, features a relatively flat oval cross-section. Its finely detailed elements, from the figure’s clothing to hairstyle, suggest a mid-13th century origin, likely produced in an Oslo workshop.
As noted by Kjartan Hauglid, an art historian at the Norwegian Institute for Cultural Heritage Research (NIKU), this artifact is the earliest known Scandinavian representation of falconry—a popular hobby among the elite. The cheerful, curly-haired figure, wearing a crown and holding a falcon on a gloved hand, may symbolize a king or queen.
Gender Equality in Medieval Falconry
Interestingly, the presence of the falcon does not inherently define the figure’s gender. Scholars point out that women were also adept falconers during the medieval era, challenging conventional notions of gender roles in history.
A Glimpse into 13th-Century Fashion and Politics
Dating the Artifact
The design of the figure’s clothing and headpiece firmly anchors it to the early 13th century. For married women during this period, the depicted head linen was particularly stylish, offering valuable perspectives on medieval fashion trends.
A Royal Link
The hollow lower section of the figure suggests it may have been affixed to a shaft, potentially for use by a noble or even royalty. This artifact might be associated with King Håkon Håkonsson, who ruled Norway from 1217 to 1263 and was known for his falconry. The king frequently presented valuable falcons to other European royal families as a strategy for cultivating political alliances.
This remarkable discovery not only provides a rare look into the leisure activities of medieval Norwegian nobility but also delivers essential insights into the fashion, artistry, and diplomatic customs of 13th-century Scandinavia.
